Georgesstergin's film "Glory to the Vanquished" also deserves attention. In this film, the young director reproduces the atmosphere of war and boldly demonstrates his anti-war attitude and his political position.

According to French critic Ghislaine Guidet, the main reason for the low level of Greek cinematography is censorship, which protects the regime of the "black colonels". Greek cinema can only wake up from the dream it is currently immersed in by freeing itself from the paralyzing influence of the current regime.

The Danish Film Fund and the film Library organized an exhibition dedicated to director Carl Theodor Dreyer (1889-1968), many of whose films have become classics of world cinema, and theoretical statements still attract researchers. The exhibition, called "Portrait of K. T. Dreisr", is a traveling one. It has now been shipped to Italy and is housed in the auditorium of the Rome Experimental Film Center. According to the reviews of the Italian press, the exhibition itself adds little new to what is already known about this great master; much more interesting is the retrospective of Dreyer's films accompanying the exhibition, also compiled and sent by the Danish Film Fund. It includes 19 films by the Danish director — Dreyer's Complete Works, which was presented to the audience and film critics for the first time.

Francoist censorship continues to prevent progressive works of world cinema from appearing on the Spanish screen. One of the latest actions is the prohibition of the demonstration of two Italian films in the country — "Metello" directed by Mauro Bolognini and "Investigation of a citizen above all Suspicion" by Elio Petri.

Juan Antonio Bardem has begun filming a new version of "The Mysterious Island" based on Jules Verne. However, when it became clear that the funds invested in the production of this film had been exhausted, the French producers came to the aid of the Spanish producers, and the French film director Henri Colpi, known to the Soviet audience for the film "Such a long Absence," became the co-author of Bardsma. Omar Sharif is starring.

The Farnese Essay cinema hosted a screening of a series of Soviet films from the 20s and 30s - works by Vertov, Eisenstein, Pudovkin, Dovzhenko, Kozintsev and Trauberg. A total of 11 classic Soviet films were shown. The audience received specially published booklets containing annotations and filmography of all the films shown, as well as biographies of their directors.

Italy's left-wing political cinema has been replenished with another significant work: Francesco Rosi's film "The Mattei Case", which has long been talked about in the Italian press, was released. The director of the films "Salvatore Giuliano", "Hands over the City", "People against", Rosi is rightfully considered one of the initiators and the most prominent representatives of the movement for the revival of progressive Italian cinema, continuing and developing post-war neorealism in a new way. The interest of critics and the press in the film Rosie is also explained by the choice of the performer of the main role — Gian Maria Volonte, now, perhaps, the "number one actor" of Italian cinema. But the main thing that puts Francesco Rosi's new film in the spotlight of the press, and not only the special cinematic, is the theme of the picture. It is dedicated to the life and death of Enrico Mattei, a prominent figure in the Italian economy who advocated the development of trade relations with the Soviet Union and other socialist countries, with the young states of Asia and Africa, and against the enslavement of the Italian economy by American monopolies. While serving as president of the Italian state-owned liquid fuel Company (ENI), he pursued a policy directed against American oil concerns, the so-called "seven sisters", which subjugated the Italian oil production and refining industry. In his youth, Mattei took part in the Resistance movement. Politically, he represented the left-wing circles of the ruling Christian Democratic Party. L’offre de bienvenue accessible via le code de promo 1xbet est disponible dans de très nombreux pays. Le site couvre l’Europe, l’Afrique, l’Asie et l’Amérique latine. Le montant du bonus est adapté à la devise locale. Peu importe votre origine, entrez le code promotionnel lors de l’inscription. Le système reconnaît automatiquement votre localisation et applique le bonus correspondant dans votre monnaie. C’est une offre réellement internationale qui s’adapte aux joueurs du monde entier sans discrimination.